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Posts tagged ‘the tamam shud mystery’

Some inconsistencies with regard to the Somerton Man’s personal effects.

The challenge here is not to supply an explanation for just one of these inconsistencies, it is to explain them all.

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RACHEL EGAN’S DNA LINKED TO PROSPER THOMSON – Part 2

If one has the DNA test data it is relatively easy to sort out where the connection is provided if it isn’t too deep in the past (say 200+ years), and even then it is possible to find the connection with enough effort. Byron Deveson.

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How and where did the Somerton Man die – and who was he with at the time?

This was not murder disguised as suicide, it was suicide underlined !

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Implications stemming from Rachel Egan’s shared DNA and a word from Dr Carolyn Bilsborow.

It would be one thing to ask someone to move the body of a murdered man, another to dispose of the body of a suicide.

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The Somerton Man and some possibilities there may have been a New Zealand connection.

A new year: another direction.

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THE 2021 SOMERTON MAN SUCCESS SCOREBOARD

2021 was the year not much happened as far as the Somerton Man Case is concerned, except ..

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Who was the ‘real’ Jessica Harkness?

She lied to his face: a detective with thirty homicide years on the clock,

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Things folks know and things they don’t about the Somerton Man Murder Mystery..

Join the dots.

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Whatever happened to the Somerton Man’s brown knitted pullover?

Fifteen investigative and one coronial failure cannot be the result of incompetence, surely.

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Alf Boxall and the young lady whose name he couldn’t remember.

They only met twice.

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Jestyn: ‘her tremendous courage.’

The four interviews.

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The Woman

Why was he here?

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Stencilling tools and Rubaiyat art

It’s long been thought the tools found in the Somerton Man’s suitcase were those of a ship’s 3rd officer, someone who used them to cut out stencils to use in marking up the ship’s cargo, leaving the questions as to why would he have packed six pencils and a collection of oversized envelopes in the same case.

Perhaps he was an artisan and used the the pencils for copying something decorative, the knife and scissors for cutting it out and the brush to keep his work surface clean. The envelopes may have been for storing and protecting his work when travelling.

The Smithsonian American Art Museum has proof (below) that artisans were known to stencil cut decorative art in the 19th century.

Still Life Theorem in Grisaille, 19th century, pencil and watercolor on paper, stencil cut, Smithsonian American Art Museum, Gift of Herbert Waide Hemphill, Jr. and museum purchase made possible by Ralph Cross Johnson, 1986.65.210.

Dimensions14 1810 in. (35.825.3 cm)

~~

The header image is of a contemporary stencil-cut piece of artwork called Rubaiyat created by Aditya Rao and was sourced from one of the many decorative borders used in various editions of Omar’s quatrains: ornate and exquisitely wrought borders evident in the earliest of the Rubaiyat editions and something a man with artistic bent might make use of in 1948. The job far easier to complete when the artwork is already done .

Perhaps Prof. Abbott wasn’t that far off the mark when he remarked that the largish envelopes would fit decorative cards the Somerton Man had yet to buy. An artisan on the other hand would be skilful enough to make his own.

Correspondence with Derek Abbott

"I hope you find this useful!"

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The Somerton slideshow. Timing matters.

6:00 pm to 10:00 pm on the 30th of november 1948

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